Past Exhibitions - 2014

A Very Large Triangle

Marnie Slater

Curated by Bruce E. Phillips

8 - 22 November 2014

A Very Large Triangle provides conceptually layered and poetic musings upon the places in which we drift, the selves we come to create and the art we are driven to love.

A Very Large Triangle is a new solo exhibition by 2004 graduate artist Marnie Slater in celebration of the 10 year anniversary of the programme.

More on the show HERE

Matter Of Presence

MFA Group Exhibition

15 - 17 October 2014

Anja Kutsch

Tomas Richards

Jude Robertson

Untitled

Drawn by the impalpable, I am lured by what is living under the surface of worldly object matter - that which is hidden, transcending from the mundane elements of sculpture, the stimulus and its beyonds. I am tempted to milk emotional processes and social entanglements and take them, delicately obscured, onto an energetic discourse of spiritual projection. In a combination of symbolic materials that will alter through time, underlying emotions transcend material substance. Instead of venerating manifestations as solid and eternal, the impetus from the past can develop into something new.

Untitled

Beginning with a pause, moving slow. Breathing in stillness, soaking in this presence. Dust, grit, assemblies as dense as bone, and layering in skins, light as air (porous), animate matters, shuffling in traversals without end, and gathering reshaping. Quiet, yet lively, teeming. Morphing. Balanced, poised, shifting in a hush, so subtle it may be missed (again). Traces spread throughout, embodying each moment past, threading, to this place, this instance. In significance, the ways the sit just so, or lean, hover, carrying. Palpable, concrete, yet swaying, oozing from fixity. A meeting of substance, bodies there all along, growing stranger with each glance.

A Billow of Sapphire Spheres / Cascade

This site-specific installation questions existing perceptions of our environment and investigates the tension between natural, built and technological environments. By working with specific architectural features, Cascade explores spatial phenomena such as crowding and expansiveness, and proposes that these occur on both a physical and psychological level. Cascade uses multiple modes of production to explore space, materiality and experiences.

Such A Damn Jam

16 September — 26 September, 2014

Sean Grattan

Darcell Apelu

Poulima Salima

Opeloge Ah Sam

Matthew Faiumu Salapu aka Anonymouz

An exhibition presenting recent works from NZ artists exploring various aspects of performance—mediated through the cinematic, moving image and live action. These works hinge on the ‘fixed’ in pursuit of an open-ended discussion. Devices such as the script, set-task and existing historical material provide the catalyst for generative acts. ‘Simple’ binary relationships between the cognitive and physical; the mechanical and the lyrical, the ‘old’ and ‘new’ may provide an initial starting point to discussions around much more complex, ambiguous and expansive propositions.

Associated Programme:

* Public screening of HADHAD by Sean Grattan, with an introduction by Martin Patrick

* Opening night performance from Darcell Apelu

In_docere

28 August - 8 September 2014

Caroline McQuarrie

Jenny Gillam

Kalya Ward

Johanna Mechen

Jonathan Kay

Shaun Waugh

(docere: /do’ke .re/, (verb), Latin origing of ‘document’, meaning ‘to teach’)

In_docere brings together six artists studying and teaching at College of Creative Arts, with practices based in photo and film media, who through their work extend boundaries and definitions of conceptual documentary practice. Although working diversely across projects, each seeks to explore new ways of engaging a topic and audience that challenge central concepts relating to ‘the document’.

An exhibition in Association with the Massey University 2014 Peter Turner Memorial Lecture.

I Love You / But I Want More

Curated by Louise Rutledge

11 -21 August 2014

Featuring the works of 17 BFA Honours students

Review by artist Jo Bragg available HERE

Events, Traces, Reverberations

Michael Graeve

24 July - 8 August 2014

All in unequal measure. Conjunctions and disjunctions play off against each other in an abstract language of flatness and rhythm, tone and drone, ongoing flatness and delimited events.

In Events, Traces and Reverberations, Melbourne artist Michael Graeve will develop a series of sound and painting events in the gallery space, working in and into the Engine Room. Wall paintings, wall sounds, turntables and platters will be used to create audio/visual and spatio/temporal junctions that will parallelate and perpendiculate, both following each other's leads and falling apart.

Michael Graeve is a visual and sound artist based in Melbourne, Australia. His cross-disciplinary practice incorporates easel painting, site-specific installation, painting and sound installation, sound performance and composition.

For more on Michael’s practice see his website HERE

Best Test

Group Exhibition

21 - 26 May 2014

Opening Tuesday 20 May 2014, 5.30 PM

400 level BDes Photography students presenting test works which explore presentation strategies.

A Nostalgia For Modernity

Haruhiko Sameshima

24 March - 4 April 2014

A selection of photographs made in response to ‘An urban quest for chlorophyll’, during a residency in New York City 2013–2014.

Image: Haruhiko Samehima, Washington Market Park and One World Trade Center, 2014.

Mezzanine

Paul Cullen

3 - 14 March 2014

Supported by Auckland University of Technology AUT

For more on artist Paul Cullen (1949-2017) see the extensive Paul Cullen Archive website.

Below: Paul at the Engine Room in 2014; Left: Paul with his work The Garden at the Te Papa Sculpture Terrace, 2009.