Past Exhibitions - 2014
A Very Large Triangle
Marnie Slater
Curated by Bruce E. Phillips
8 - 22 November 2014
A Very Large Triangle provides conceptually layered and poetic musings upon the places in which we drift, the selves we come to create and the art we are driven to love.
A Very Large Triangle is a new solo exhibition by 2004 graduate artist Marnie Slater in celebration of the 10 year anniversary of the programme.
More on the show HERE
Matter Of Presence
MFA Group Exhibition
15 - 17 October 2014
Anja Kutsch
Tomas Richards
Jude Robertson
Untitled
Drawn by the impalpable, I am lured by what is living under the surface of worldly object matter - that which is hidden, transcending from the mundane elements of sculpture, the stimulus and its beyonds. I am tempted to milk emotional processes and social entanglements and take them, delicately obscured, onto an energetic discourse of spiritual projection. In a combination of symbolic materials that will alter through time, underlying emotions transcend material substance. Instead of venerating manifestations as solid and eternal, the impetus from the past can develop into something new.
Untitled
Beginning with a pause, moving slow. Breathing in stillness, soaking in this presence. Dust, grit, assemblies as dense as bone, and layering in skins, light as air (porous), animate matters, shuffling in traversals without end, and gathering reshaping. Quiet, yet lively, teeming. Morphing. Balanced, poised, shifting in a hush, so subtle it may be missed (again). Traces spread throughout, embodying each moment past, threading, to this place, this instance. In significance, the ways the sit just so, or lean, hover, carrying. Palpable, concrete, yet swaying, oozing from fixity. A meeting of substance, bodies there all along, growing stranger with each glance.
A Billow of Sapphire Spheres / Cascade
This site-specific installation questions existing perceptions of our environment and investigates the tension between natural, built and technological environments. By working with specific architectural features, Cascade explores spatial phenomena such as crowding and expansiveness, and proposes that these occur on both a physical and psychological level. Cascade uses multiple modes of production to explore space, materiality and experiences.
Such A Damn Jam
16 September — 26 September, 2014
Sean Grattan
Darcell Apelu
Poulima Salima
Opeloge Ah Sam
Matthew Faiumu Salapu aka Anonymouz
An exhibition presenting recent works from NZ artists exploring various aspects of performance—mediated through the cinematic, moving image and live action. These works hinge on the ‘fixed’ in pursuit of an open-ended discussion. Devices such as the script, set-task and existing historical material provide the catalyst for generative acts. ‘Simple’ binary relationships between the cognitive and physical; the mechanical and the lyrical, the ‘old’ and ‘new’ may provide an initial starting point to discussions around much more complex, ambiguous and expansive propositions.
Associated Programme:
* Public screening of HADHAD by Sean Grattan, with an introduction by Martin Patrick
* Opening night performance from Darcell Apelu
In_docere
28 August - 8 September 2014
Caroline McQuarrie
Jenny Gillam
Kalya Ward
Johanna Mechen
Jonathan Kay
Shaun Waugh
(docere: /do’ke .re/, (verb), Latin origing of ‘document’, meaning ‘to teach’)
In_docere brings together six artists studying and teaching at College of Creative Arts, with practices based in photo and film media, who through their work extend boundaries and definitions of conceptual documentary practice. Although working diversely across projects, each seeks to explore new ways of engaging a topic and audience that challenge central concepts relating to ‘the document’.
An exhibition in Association with the Massey University 2014 Peter Turner Memorial Lecture.
I Love You / But I Want More
Curated by Louise Rutledge
11 -21 August 2014
Featuring the works of 17 BFA Honours students
Review by artist Jo Bragg available HERE
Events, Traces, Reverberations
Michael Graeve
24 July - 8 August 2014
All in unequal measure. Conjunctions and disjunctions play off against each other in an abstract language of flatness and rhythm, tone and drone, ongoing flatness and delimited events.
In Events, Traces and Reverberations, Melbourne artist Michael Graeve will develop a series of sound and painting events in the gallery space, working in and into the Engine Room. Wall paintings, wall sounds, turntables and platters will be used to create audio/visual and spatio/temporal junctions that will parallelate and perpendiculate, both following each other's leads and falling apart.
Michael Graeve is a visual and sound artist based in Melbourne, Australia. His cross-disciplinary practice incorporates easel painting, site-specific installation, painting and sound installation, sound performance and composition.
For more on Michael’s practice see his website HERE
Best Test
Group Exhibition
21 - 26 May 2014
Opening Tuesday 20 May 2014, 5.30 PM
400 level BDes Photography students presenting test works which explore presentation strategies.
A Nostalgia For Modernity
Haruhiko Sameshima
24 March - 4 April 2014
A selection of photographs made in response to ‘An urban quest for chlorophyll’, during a residency in New York City 2013–2014.
Image: Haruhiko Samehima, Washington Market Park and One World Trade Center, 2014.
Mezzanine
Paul Cullen
3 - 14 March 2014
Supported by Auckland University of Technology AUT
For more on artist Paul Cullen (1949-2017) see the extensive Paul Cullen Archive website.
Below: Paul at the Engine Room in 2014; Left: Paul with his work The Garden at the Te Papa Sculpture Terrace, 2009.