Past Exhibitions - 2023
David Thomas
Impermanences (Distant Conversations)
25th July - 25th August 2023
David Thomas lives and works in Melbourne, Australia. His work explores the contemplative nature of painting, photopainting and in installation, in particular how new iterations of the monochrome tradition can explore the the perception of time and space complexity and impermanence. Within this exhibition Thomas extends his site-specific approach to installation attuning numerous components to the architecture of the gallery to evoke notions of time and memory.
Image: Making Love in A Cold Climate 2023. Digital photo; size variable. Component for an installation.
Heidi Brickell
PAKANGA FOR THE LOSTGIRL
8 March - 28 April 2023
The Engine Room in partnership with KAUKAU are pleased to present PAKANGA FOR THE LOSTGIRL by Heidi Brickell (Te Hika o Papauma, Rangitāne, Ngāi Tara, Rongomaiwahine, Ngāti Kahungunu, Ngāti Apakura, Ngāti Pākehā), an immersive exhibition that explores layers of language and the windows and veils to the hinengaro that it renders.
The exhibition threads together a variety of media: painting, drawing, sculpture, and installation, exploring how the internal space of the hinengaro might be navigated, and how it finds its way within its own web of relations. A pakanga is a battle, and ‘lostgirl’, a literal translation of hinengaro, which refers to our seat of emotions, or some portion of our gut. A word that has travelled and shape- shifted across the Pacific, like seed expressing different elements of the whakapapa it carries within the unique soil of each motu where it landed.
This exhibition was initiated and developed by the artist with Cameron Ah Loo-Matamua, curator at St Paul St Gallery in Tāmaki Mākaurau in May 2022. It was reconfigured for The Physics Room in Ōtautahi with curator Abby Cunnane in August 2022. An entity of modular parts, this third iteration of PAKANGA FOR THE LOSTGIRL reforms in response to the architectural features of The Engine Room. and features Maringi Toa, composed by Riki Gooch (Ngāti Wai, Patuharakeke, Ngāti Māhanga Hourua) as a takoha to the project, echoing off the walls.
Image: Heidi Brickell, PAKANGA FOR THE LOSTGIRL (detail), 2021. Photo by Mitchell McGrath